Showing posts with label photo gallery. Show all posts
Showing posts with label photo gallery. Show all posts

200 Years of Pugin Brings Celebrations, Special Events

by 4:55 AM

2012 marks the two hundredth anniversary of the birth of A.W.N. Pugin, one of the great Victorian architects, and was responsible for a number of well-known buildings as well as countless beautiful designs for tiles, metalwork, furniture, wallpaper, stained glass and ceramics.

For Pugin, Gothic architecture was the greatest style of building, and was hugely influential on other architects and designers of the Gothic Revival throughout the Victorian era.Some of his best known work includes the magnificent interiors of the Houses of Parliament, the church of St Giles, Cheadle, in Staffordshire, and his own house, The Grange, in Ramsgate, Kent, together with the nearby church of St Augustine. As Clive Aslet notes in The Telegraph:

"Before Pugin came to prominence in the 1830s, the Gothic Revival had been an antiquarian affair, a style to titillate the imaginations of Regency aesthetes, in whom ivy-covered ruins and rusty armour roused a frisson of pleasurable gloom. Almost single-handedly, Pugin gave it a new seriousness. What he called Pointed or Christian Architecture became a moral crusade that went global, carried to every part of the world where English was spoken and cathedrals were built, from Brisbane to Bombay"

In celebration of Pugin's 200th anniversary in 2012 here will be events around the country, organised by the Pugin Society and by others. Here is a partial list of just some of the planned events; you can visit the Pugin Society website to find out more.

PRINCIPAL PUGIN SOCIETY EVENTS

Thursday 1 March: Commemorative Mass and Reception, Ramsgate

A commemorative mass will be sung in remembrance of A.W.N. Pugin on the two hundredth anniversary of his birth on 1 March at St Augustine's Ramsgate, the church he designed and built on the West Cliff of Ramsgate. Mass will be at 12.00 and is open to all. This will be followed by a champagne reception with light refreshments in the Cartoon Room nearby by kind permission of the Landmark Trust, courtesy of the Pugin Society and assistance of Friends of St Augustine's. A toast to the memory of Pugin will be proposed by Lord Deben, formally John Selwyn Gummer. Pugin Society members are invited to the free reception, but asked to apply for tickets as numbers are strictly limited. Please send stamped addressed envelope. Apply: Professor Julia Twigg, 9 Nunnery Road, Canterbury, CT1 3LS, j.m.twigg@kent.ac.uk , 01227 766879.

Wednesday 21 March: Grand Reception and Address at the Palace of Westminster

We are holding a grand reception in honour of Pugin in the beautiful River Room of the Palace of Westminster by kind arrangement of Baroness Wheatcroft and with the support of Laura Sandys MP. The address will be given by Dr Tristram Hunt MP, the well-known social historian, on Pugin, Medievalism and Modernity. Wine and canapÈs. 6.00-8.00 Tickets: £25 with SAE. Apply: Professor Julia Twigg, 9 Nunnery Road, Canterbury, CT1 3LS, j.m.twigg@kent.ac.uk , 01227 766879.

Wednesday 30 and Thursday 31 May: Art Workshop for young people, based around Pugin Themes

by Dawn Cole, award-winning printmaker, and Tony Roche, from the Wallpaper History Society, who is an accomplished wallpaper designer. Wednesday afternoon (2.00-4.00) will focus on details in the Grange and St Augustine's to learn something about Pugin's design principles. On Thursday (1.00-4.00) these ideas will be put into practice with opportunities to make Pugin-inspired relief prints and stencilled wallpaper designs in the Cartoon Room, by kind permission of the Landmark Trust. Cost: £5.00. Space is limited, no more than ten. Children under 13 must be accompanied by an adult. Contact Catriona Blaker catrona@tiscali.co.uk for further details.


13-14 July : International Conference: New Directions in Gothic Revival Studies Worldwide, University of Kent, Canterbury

This interdisciplinary conference will be the primary international academic event marking the bicentenary of the birth of A.W.N Pugin. Plenary speakers include: Professor Stephen Bann on Pugin and the French Connection; Professor Barry Bergdoll on Pugin and the Paradox of Historicism; Dr Margaret Belcher on Pugin's Letters; and Professor Thomas Coomans on the Belgium Gothic Revival Worldwide. The conference will be based at the University of Kent in Canterbury, but there will be opportunities before and after to visit key sites in Ramsgate and Cheadle. The conference is organised by Dr Timothy Brittain-Catlin of Kent School of Architecture. A special rate is available for Pugin Society members. For further details and joining information: www.kent.ac.uk/architecture/gothicrevival2012/

Visiting The Grange and St. Augustine's

Throughout the year it will be possible to visit The Grange, the house that Pugin designed and built for himself on the West Cliff of Ramsgate, and St Augustine's the church he designed and built next door. The Grange, under the ownership of The Landmark Trust, will be open as usual on Wednesday afternoons 2-4 (booking in advance required 01843 596401). St Augustine's is also open on Sundays 2-4 every week and every Wednesday 2-4. Please note that some restoration will be in progress in St Augustine's during the year. This should not affect visiting, but just in case, if you are coming from any distance, it might be as well to ring 01843 592460 or 01843 596401 to check in advance. Whilst visitors to St Augustine's are welcome to wander at will, there will be official tours at 2.30 on the first Sunday of each month, starting from March, and on Wednesdays (weekly) at 2 and 3.

Open Weekend at the Grange and St Augustine's: Friday to Monday 20- 23 April:

The Grange: every day 10-4 except Monday 10-1. St Augustine's Church: Friday 11-4, Saturday 10-4, Sunday 2-4, Monday 10-1.

Open Weekend at the Grange and St Augustine's: Friday to Tuesday 7-10 September:

The Grange: every day 10-4 except Tuesday 10-1. St Augustine's church: Friday 11-4, Saturday 10-4, Sunday 2-4, Monday 10-4, Tuesday 10-1.

IMAGE CREDITS: michaelsbookshop.com




200 Years of Pugin Brings Celebrations, Special Events

by 4:55 AM
.

2012 marks the two hundredth anniversary of the birth of A.W.N. Pugin, one of the great Victorian architects, and was responsible for a number of well-known buildings as well as countless beautiful designs for tiles, metalwork, furniture, wallpaper, stained glass and ceramics.

For Pugin, Gothic architecture was the greatest style of building, and was hugely influential on other architects and designers of the Gothic Revival throughout the Victorian era.Some of his best known work includes the magnificent interiors of the Houses of Parliament, the church of St Giles, Cheadle, in Staffordshire, and his own house, The Grange, in Ramsgate, Kent, together with the nearby church of St Augustine. As Clive Aslet notes in The Telegraph:

"Before Pugin came to prominence in the 1830s, the Gothic Revival had been an antiquarian affair, a style to titillate the imaginations of Regency aesthetes, in whom ivy-covered ruins and rusty armour roused a frisson of pleasurable gloom. Almost single-handedly, Pugin gave it a new seriousness. What he called Pointed or Christian Architecture became a moral crusade that went global, carried to every part of the world where English was spoken and cathedrals were built, from Brisbane to Bombay"
HERE'S A SLIDE SHOW OF SOME OF PUGIN'S WORK...


In celebration of Pugin's 200th anniversary in 2012 here will be events around the country, organised by the Pugin Society and by others. Here is a partial list of just some of the planned events; you can visit the Pugin Society website to find out more.

PRINCIPAL PUGIN SOCIETY EVENTS

Thursday 1 March: Commemorative Mass and Reception, Ramsgate

A commemorative mass will be sung in remembrance of A.W.N. Pugin on the two hundredth anniversary of his birth on 1 March at St Augustine's Ramsgate, the church he designed and built on the West Cliff of Ramsgate. Mass will be at 12.00 and is open to all. This will be followed by a champagne reception with light refreshments in the Cartoon Room nearby by kind permission of the Landmark Trust, courtesy of the Pugin Society and assistance of Friends of St Augustine's. A toast to the memory of Pugin will be proposed by Lord Deben, formally John Selwyn Gummer. Pugin Society members are invited to the free reception, but asked to apply for tickets as numbers are strictly limited. Please send stamped addressed envelope. Apply: Professor Julia Twigg, 9 Nunnery Road, Canterbury, CT1 3LS, j.m.twigg@kent.ac.uk , 01227 766879.

Wednesday 21 March: Grand Reception and Address at the Palace of Westminster

We are holding a grand reception in honour of Pugin in the beautiful River Room of the Palace of Westminster by kind arrangement of Baroness Wheatcroft and with the support of Laura Sandys MP. The address will be given by Dr Tristram Hunt MP, the well-known social historian, on Pugin, Medievalism and Modernity. Wine and canapÈs. 6.00-8.00 Tickets: £25 with SAE. Apply: Professor Julia Twigg, 9 Nunnery Road, Canterbury, CT1 3LS, j.m.twigg@kent.ac.uk , 01227 766879.

Wednesday 30 and Thursday 31 May: Art Workshop for young people, based around Pugin Themes

by Dawn Cole, award-winning printmaker, and Tony Roche, from the Wallpaper History Society, who is an accomplished wallpaper designer. Wednesday afternoon (2.00-4.00) will focus on details in the Grange and St Augustine's to learn something about Pugin's design principles. On Thursday (1.00-4.00) these ideas will be put into practice with opportunities to make Pugin-inspired relief prints and stencilled wallpaper designs in the Cartoon Room, by kind permission of the Landmark Trust. Cost: £5.00. Space is limited, no more than ten. Children under 13 must be accompanied by an adult. Contact Catriona Blaker catrona@tiscali.co.uk for further details.


13-14 July : International Conference: New Directions in Gothic Revival Studies Worldwide, University of Kent, Canterbury

This interdisciplinary conference will be the primary international academic event marking the bicentenary of the birth of A.W.N Pugin. Plenary speakers include: Professor Stephen Bann on Pugin and the French Connection; Professor Barry Bergdoll on Pugin and the Paradox of Historicism; Dr Margaret Belcher on Pugin's Letters; and Professor Thomas Coomans on the Belgium Gothic Revival Worldwide. The conference will be based at the University of Kent in Canterbury, but there will be opportunities before and after to visit key sites in Ramsgate and Cheadle. The conference is organised by Dr Timothy Brittain-Catlin of Kent School of Architecture. A special rate is available for Pugin Society members. For further details and joining information: www.kent.ac.uk/architecture/gothicrevival2012/

Visiting The Grange and St. Augustine's

Throughout the year it will be possible to visit The Grange, the house that Pugin designed and built for himself on the West Cliff of Ramsgate, and St Augustine's the church he designed and built next door. The Grange, under the ownership of The Landmark Trust, will be open as usual on Wednesday afternoons 2-4 (booking in advance required 01843 596401). St Augustine's is also open on Sundays 2-4 every week and every Wednesday 2-4. Please note that some restoration will be in progress in St Augustine's during the year. This should not affect visiting, but just in case, if you are coming from any distance, it might be as well to ring 01843 592460 or 01843 596401 to check in advance. Whilst visitors to St Augustine's are welcome to wander at will, there will be official tours at 2.30 on the first Sunday of each month, starting from March, and on Wednesdays (weekly) at 2 and 3.

Open Weekend at the Grange and St Augustine's: Friday to Monday 20- 23 April:

The Grange: every day 10-4 except Monday 10-1. St Augustine's Church: Friday 11-4, Saturday 10-4, Sunday 2-4, Monday 10-1.

Open Weekend at the Grange and St Augustine's: Friday to Tuesday 7-10 September:

The Grange: every day 10-4 except Tuesday 10-1. St Augustine's church: Friday 11-4, Saturday 10-4, Sunday 2-4, Monday 10-4, Tuesday 10-1.

IMAGE CREDITS: michaelsbookshop.com




In Praise of Pargetting: The Plasterer's Art

by 5:55 PM
x


Pargetting is one of the less-common elements found in Tudor and Elizabethan buildings. Perhaps the inherent nature of exterior plasterwork and its comparative durability vs. brick, timber and stone makes this inevitable - but there are still existing examples to be found dating from the 16th and 17th centuries. New or old, it is always a delightful feature whenever it is found.

The term Pargetting derives from the word 'parget', an old Middle English term that is probably derived from the ancient French 'pargeter' / 'parjeter', which means to to throw about, or 'porgeter'- to roughcast a wall. With the ‘wattle and daub’ method of construction (since pargetting is really best suitable for a lathed and timbered backing) the craft became an important and integral part of the building trade until bricks became more freely available. The term is more usually applied only to the decoration in relief of the plastering between the studwork on the outside of half-timber houses, or sometimes covering the whole wall.

In some cases, the pargetter would press the moulds of wet plaster (usually a mixture of slaked lime, sand, hair and the inevitable ‘secret ingredient’, known only to individual craftsmen) to the house exterior until it was fixed. In other examples, the ornate plasterwork is done in-situ totally freehand, in the still-wet lime render. In this case, the work is roughly outlined with a small trowel and then built up with the addition of hair in the lime plaster.


The work is then brushed back into the wall to smooth it out and finally finished with a lime wash. Pargetting patterns came in a variety of forms including friezes (using ribbons of chevrons, scallops, fantails or dots); often there are overall frames enclosing motifs, geometrical or floral designs, and coats of arms. Occasionally devices were stamped on the wet plaster in varying degrees of relief, and work in the time of Elizabeth I of England will often represent figures, birds and foliages.

IMAGE ABOVE - PETE REED - UK

So...What is a Long Gallery, Anyway?

by 9:09 AM
The Long Gallery at Haddon Hall.

In practical terms, a Long Gallery
was a type of room popular in great Elizabethan or Jacobean houses of the prodigy type, sometimes the width of a façade, as at Hatfield House, (1607–11), and Hardwick Hall, (1590–7). Usually well lit by means of large, lavish windows and sumptuously appointed with chimney-surrounds, panelling, and finely-moulded ceilings, it was an extrordinary environment for the times, primarily devoted to hanging tapestries and portraits, entertainment, games and even excercise in bad weather. It was chiefly during this period that the long gallery became the primary reception room in many great houses.

When we chose The Long Gallery as the name of our website, we were really looking at it as a metaphor. The long gallery of an Elizabethan house was used as a place of delight, and as a place for prominently displaying art and other valued objects so that the owner might take joy in them and show them off to others. In essence, it was a special place, created to feature and highlight all that was especially fine, interesting, or worthy of comment and observation.

Our website was developed to fulfill much the same role. Whether it is Medieval, Elizabethan, Jacobean, or Victorian Revival architecture, style, art, or design (or relevant history) - we seek to bring you the best examples from the past and the present. Whether you're protecting and preserving a building of this type, trying to recreate the feeling of the period in your home, or incorporating something of this period into your lifestyle, we want to be a resource for you. We hope you'll visit us often and walk through our Long Gallery to see what we have found.

In this post, we wanted to share some photographic examples of various long galleries that we have come across. We hope you will enjoy them. If you have any examples you would like to share with us, please send them along to us.

MS

So...What is a Long Gallery, Anyway?

by 9:09 AM
x


In practical terms, a Long Gallery was a type of room popular in great Elizabethan or Jacobean houses of the prodigy type, sometimes the width of a façade, as at Hatfield House, (1607–11), and Hardwick Hall, (1590–7). Usually well lit by means of large, lavish windows and sumptuously appointed with chimney-surrounds, panelling, and finely-moulded ceilings, it was an extrordinary environment for the times, primarily devoted to hanging tapestries and portraits, entertainment, games and even excercise in bad weather. It was chiefly during this period that the long gallery became the primary reception room in many great houses.


When we chose The Long Gallery as the name of our website, we were really looking at it as a metaphor. The long gallery of an Elizabethan house was used as a place of delight, and as a place for prominently displaying art and other valued objects so that the owner might take joy in them and show them off to others. In essence, it was a special place, created to feature and highlight all that was especially fine, interesting, or worthy of comment and observation.



Our website was developed to fulfill much the same role. Whether it is Medieval, Elizabethan, Jacobean, or Victorian Revival architecture, style, art, or design (or relevant history) - we seek to bring you the best examples from the past and the present. Whether you're protecting and preserving a building of this type, trying to recreate the feeling of the period in your home, or incorporating something of this period into your lifestyle, we want to be a resource for you. We hope you'll visit us often and walk through our Long Gallery to see what we have found.

In this post, we wanted to share some photographic examples of various long galleries that we have come across. We hope you will enjoy them. If you have any examples you would like to share with us, please send them along to us.

MS
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